Ibanez SEW761FM-NTF - Electric Guitar - Natural Maple Top
The Ibanez SEW761FM redefines the elegance of the S series with a formidable Hardtail configuration.
Featuring a sumptuous flamed maple top and a roasted maple Wizard III neck, this guitar offers exceptional climate stability and legendary playability. Powered by a trio of DiMarzio® (HSS) pickups, it delivers absolute tonal versatility, from crystalline cleans to organic overdrives, making it the tool of choice for the modern session musician.
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The Authority of Fine Performance: Why the SEW761FM is an Expert Choice
The Ibanez SEW761FM is more than just an electric guitar; it's the refined evolution of the "Saber" concept. For the discerning guitarist in Quebec, this instrument solves major technical problems encountered on stage and in the studio:
Ergonomie de Poids Plume : Son corps ultra-mince en Meranti réduit la fatigue lors des longs spectacles tout en conservant une résonance surprenante grâce à sa densité de bois sélectionnée.
Stabilité Thermique du Manche : L'érable torréfié (Roasted Maple) n'est pas qu'un luxe esthétique. Le traitement thermique élimine l'humidité et les impuretés du bois, rendant le manche pratiquement insensible aux changements drastiques d'humidité de nos saisons québécoises.
Précision du Chevalet Fixe : Pour ceux qui n'ont pas besoin de vibrato, le chevalet F106 offre une stabilité d'accordage supérieure et une transmission directe des vibrations au corps, maximisant ainsi le sustain.
Full Technical Specifications
Neck and Fretboard
| Characteristic | Specification |
| Sleeve type | Wizard III Roasted Maple |
| Key material | Rosewood |
| Inlays | Offset white dots |
| Number of frets | 24 |
| Type of frets | Jumbo |
| Radius | 400mmR |
| Diapason (Scale) | 648mm / 25.5" |
| Nut width | 43mm |
| Width at the 24th fret | 58mm |
| Thickness at the 1st fret | 19mm |
| Thickness at the 12th fret | 21mm |
Body and Materials
| Characteristic | Specification |
| Table | Flamed Maple |
| Body | Meranti |
| Finishing | Natural Flat (NTF) |
| Series | S Series (Standard) |
Electronics and Hardware
| Characteristic | Specification |
| Micro Neck | DiMarzio® True Velvet™ (S) - Passive/Alnico |
| Microenvironment | DiMarzio® True Velvet™ (S) - Passive/Alnico |
| Bridge Microphone | DiMarzio® The Tone Zone® (H) - Passive/Alnico |
| Selector | 5 positions |
| Controls | Master Volume, Master Tone |
| Easel | F106 (Fixed) |
| String spacing | 10.5mm |
| Color Hardware | Black (Noir) |
| Nut | Plastic |
Comparative Analysis: The Industry Verdict
Comparative table based on expert consensus from MusicRadar and Guitar World .
| Alternative Product | Market Segment | Comparative Analysis | Music Garage Availability |
| Ibanez S670QM | S Series Standard | Strengths: Edge-Zero II vibrato. Weaknesses: Less stable than the SEW's fixed bridge. | Available here |
| Charvel Pro-Mod DK24 HSS | Shred Moderne | Strengths: Roasted handle. Weaknesses: Higher price, more massive body. | Available here |
| Fender Player Strat HSS | Classic Rock | Strengths: Iconic sound. Weaknesses: Limited access to the upper frets (22 frets), thicker neck. | Available here |
| LTD SN-1000W | High Performance | Strengths: Seymour Duncan pickups. Weaknesses: More traditional aesthetics, greater weight. | Available here |
| Yamaha Pacifica 612VII | Versatility Pro | Strengths: Seymour Duncan/Wilkinson hardware. Weaknesses: Rounder radius, slower speed. | Available here |
| PRS SE CE 24 | Hybrid Rock | Strengths: Maple top. Weaknesses: HH configuration only, less clarity in single-coil mode. | Available here |
| Jackson Pro Soloist SL3 | Lead Shred | Strengths: Neck-through design. Weaknesses: Complex Floyd Rose tremolo for tuning changes. | Available here |
| Ibanez RG421 | Budget Hardtail | Strengths: Unbeatable price. Weaknesses: Standard pickups, less premium woods. | Available here |
| Music Man Silhouette | Shop / Pro | Strengths: Ultimate ergonomics. Weaknesses: Price three times higher. | Product not listed |
| Suhr Classic S | Custom Shop | Strengths: Hand-finished. Weaknesses: Major investment, not widely distributed. | Product not listed |
History & Evolution: The Saber Legacy (S)
Introduced in 1987 (originally named "Saber"), the S series was designed to prove that a guitar could be incredibly thin without sacrificing tone. The SEW761FM represents the modern era of this lineage. While 1990s models were almost exclusively equipped with Floyd Rose tremolos, Ibanez listened to studio musicians demanding the stability of a fixed bridge combined with the HSS pickup configuration. The addition of the roasted maple neck marks the S series' transition to more accessible "boutique" build standards.
Cultural References & Artists
The Ibanez S series has defined the sound of many virtuosos throughout the decades:
Frank Gambale : Le pionnier du sweep picking utilisait des modèles S pour leur rapidité.
Herman Li (Dragonforce) : Son modèle signature EGEN est basé sur la structure de la série S.
Kiko Loureiro (Megadeth) : Utilisait des modèles S personnalisés avant d'avoir sa signature.
Nita Strauss : Sa guitare "JIVA" est une version survitaminée de la série S.
Scott Henderson : A utilisé la série S dans ses premières années de fusion.
Jennifer Batten : A souvent privilégié la légèreté de la S lors de tournées mondiales.
Reb Beach (Whitesnake) : Pour la fluidité des manches Wizard.
Alex Skolnick : Utilisait des RG et S dans les années 90 avec Testament.
Polyphia (Tim Henson) : La clarté des micros DiMarzio sur bois clairs est au cœur de leur son.
Steve Vai : Bien que lié à la RG, il a influencé le profilage des corps ultra-fins.
Joe Satriani : Sa JS est une cousine ergonomique directe de la série S.
Bumblefoot : Pour la précision technique demandée par ses compositions.
Jason Becker : Aimait la finesse des corps Ibanez pour sa technique de main gauche.
Andy Timmons : Pour la réponse dynamique des micros DiMarzio en configuration HSS.
Paul Gilbert : A souvent cité la série S comme l'une des plus confortables de l'histoire.
FAQ - Technical Expertise & Advice
Q: Why choose an HSS (Humbucker-Single-Single) configuration?
The HSS configuration offers the best of both worlds. The two DiMarzio True Velvet pickups produce the twang and clarity of vintage guitars, while the Tone Zone at the bridge provides the power needed for heavy rock and metal. It's the most popular configuration at Garage à Musique for versatile musicians.
Q: Does the thin body of the S series reduce sustain?
That's a misconception. Thanks to the fixed F106 bridge and the choice of Meranti (a dense wood similar to mahogany), the SEW761FM boasts remarkable sustain. The weight lost in thickness is compensated for by the quality of the neck joint.
Q: What makes the DiMarzio The Tone Zone microphone so special?
It's a high-output pickup with massive bass and midrange. It perfectly compensates for the natural brightness of the maple neck, giving a full and "thick" sound even on such a thin guitar.
Q: Are Jumbo frets suitable for beginners?
They are ideal for all skill levels. The jumbo frets allow you to play with less left-hand pressure, making bends and legato easier. This requires a short adjustment period, but greatly improves fluidity.
Q: Does the "Natural Flat" finish require any special maintenance?
It's a satin finish that allows the wood to breathe. We recommend using a dry cloth or a specific cleaner for matte finishes, available in store. Avoid wax-based polishes, which can create uneven, shiny patches.
Q: Is the Wizard III handle too thin for large hands?
The Wizard III is designed for speed, but its 43mm nut width remains standard. It reduces strain on the thumb, which is often more comfortable for guitarists suffering from muscle fatigue, regardless of hand size.
Q: What is the influence of rosewood on the fingerboard?
Rosewood softens the high frequencies slightly compared to ebony or maple, offering a warm and natural playing feel under the fingers. It's a perfect match for the crisp attack of roasted maple.
Q: Can I easily tune this guitar to Drop D?
Yes! That's one of the great advantages of a fixed bridge. Unlike a floating vibrato, you can change tuning in seconds without unbalancing the entire instrument.
Q: Are the True Velvet pickups silent?
These are true single-coil drivers, so they may pick up a slight "hum" in the presence of RF interference. However, their DiMarzio design minimizes this noise while maximizing dynamics, delivering exceptional sonic purity.
Q: Why buy the SEW761FM from Garage à Musique?
We are the sound experts in Quebec. Every guitar is inspected to ensure flawless electronics and professional-grade action. We offer a level of technical expertise you won't find anywhere else.
The Authority of Fine Performance: Why the SEW761FM is an Expert Choice
The Ibanez SEW761FM is more than just an electric guitar; it's the refined evolution of the "Saber" concept. For the discerning guitarist in Quebec, this instrument solves major technical problems encountered on stage and in the studio:
Ergonomie de Poids Plume : Son corps ultra-mince en Meranti réduit la fatigue lors des longs spectacles tout en conservant une résonance surprenante grâce à sa densité de bois sélectionnée.
Stabilité Thermique du Manche : L'érable torréfié (Roasted Maple) n'est pas qu'un luxe esthétique. Le traitement thermique élimine l'humidité et les impuretés du bois, rendant le manche pratiquement insensible aux changements drastiques d'humidité de nos saisons québécoises.
Précision du Chevalet Fixe : Pour ceux qui n'ont pas besoin de vibrato, le chevalet F106 offre une stabilité d'accordage supérieure et une transmission directe des vibrations au corps, maximisant ainsi le sustain.
Full Technical Specifications
Neck and Fretboard
| Characteristic | Specification |
| Sleeve type | Wizard III Roasted Maple |
| Key material | Rosewood |
| Inlays | Offset white dots |
| Number of frets | 24 |
| Type of frets | Jumbo |
| Radius | 400mmR |
| Diapason (Scale) | 648mm / 25.5" |
| Nut width | 43mm |
| Width at the 24th fret | 58mm |
| Thickness at the 1st fret | 19mm |
| Thickness at the 12th fret | 21mm |
Body and Materials
| Characteristic | Specification |
| Table | Flamed Maple |
| Body | Meranti |
| Finishing | Natural Flat (NTF) |
| Series | S Series (Standard) |
Electronics and Hardware
| Characteristic | Specification |
| Micro Neck | DiMarzio® True Velvet™ (S) - Passive/Alnico |
| Microenvironment | DiMarzio® True Velvet™ (S) - Passive/Alnico |
| Bridge Microphone | DiMarzio® The Tone Zone® (H) - Passive/Alnico |
| Selector | 5 positions |
| Controls | Master Volume, Master Tone |
| Easel | F106 (Fixed) |
| String spacing | 10.5mm |
| Color Hardware | Black (Noir) |
| Nut | Plastic |
Comparative Analysis: The Industry Verdict
Comparative table based on expert consensus from MusicRadar and Guitar World .
| Alternative Product | Market Segment | Comparative Analysis | Music Garage Availability |
| Ibanez S670QM | S Series Standard | Strengths: Edge-Zero II vibrato. Weaknesses: Less stable than the SEW's fixed bridge. | Available here |
| Charvel Pro-Mod DK24 HSS | Shred Moderne | Strengths: Roasted handle. Weaknesses: Higher price, more massive body. | Available here |
| Fender Player Strat HSS | Classic Rock | Strengths: Iconic sound. Weaknesses: Limited access to the upper frets (22 frets), thicker neck. | Available here |
| LTD SN-1000W | High Performance | Strengths: Seymour Duncan pickups. Weaknesses: More traditional aesthetics, greater weight. | Available here |
| Yamaha Pacifica 612VII | Versatility Pro | Strengths: Seymour Duncan/Wilkinson hardware. Weaknesses: Rounder radius, slower speed. | Available here |
| PRS SE CE 24 | Hybrid Rock | Strengths: Maple top. Weaknesses: HH configuration only, less clarity in single-coil mode. | Available here |
| Jackson Pro Soloist SL3 | Lead Shred | Strengths: Neck-through design. Weaknesses: Complex Floyd Rose tremolo for tuning changes. | Available here |
| Ibanez RG421 | Budget Hardtail | Strengths: Unbeatable price. Weaknesses: Standard pickups, less premium woods. | Available here |
| Music Man Silhouette | Shop / Pro | Strengths: Ultimate ergonomics. Weaknesses: Price three times higher. | Product not listed |
| Suhr Classic S | Custom Shop | Strengths: Hand-finished. Weaknesses: Major investment, not widely distributed. | Product not listed |
History & Evolution: The Saber Legacy (S)
Introduced in 1987 (originally named "Saber"), the S series was designed to prove that a guitar could be incredibly thin without sacrificing tone. The SEW761FM represents the modern era of this lineage. While 1990s models were almost exclusively equipped with Floyd Rose tremolos, Ibanez listened to studio musicians demanding the stability of a fixed bridge combined with the HSS pickup configuration. The addition of the roasted maple neck marks the S series' transition to more accessible "boutique" build standards.
Cultural References & Artists
The Ibanez S series has defined the sound of many virtuosos throughout the decades:
Frank Gambale : Le pionnier du sweep picking utilisait des modèles S pour leur rapidité.
Herman Li (Dragonforce) : Son modèle signature EGEN est basé sur la structure de la série S.
Kiko Loureiro (Megadeth) : Utilisait des modèles S personnalisés avant d'avoir sa signature.
Nita Strauss : Sa guitare "JIVA" est une version survitaminée de la série S.
Scott Henderson : A utilisé la série S dans ses premières années de fusion.
Jennifer Batten : A souvent privilégié la légèreté de la S lors de tournées mondiales.
Reb Beach (Whitesnake) : Pour la fluidité des manches Wizard.
Alex Skolnick : Utilisait des RG et S dans les années 90 avec Testament.
Polyphia (Tim Henson) : La clarté des micros DiMarzio sur bois clairs est au cœur de leur son.
Steve Vai : Bien que lié à la RG, il a influencé le profilage des corps ultra-fins.
Joe Satriani : Sa JS est une cousine ergonomique directe de la série S.
Bumblefoot : Pour la précision technique demandée par ses compositions.
Jason Becker : Aimait la finesse des corps Ibanez pour sa technique de main gauche.
Andy Timmons : Pour la réponse dynamique des micros DiMarzio en configuration HSS.
Paul Gilbert : A souvent cité la série S comme l'une des plus confortables de l'histoire.
FAQ - Technical Expertise & Advice
Q: Why choose an HSS (Humbucker-Single-Single) configuration?
The HSS configuration offers the best of both worlds. The two DiMarzio True Velvet pickups produce the twang and clarity of vintage guitars, while the Tone Zone at the bridge provides the power needed for heavy rock and metal. It's the most popular configuration at Garage à Musique for versatile musicians.
Q: Does the thin body of the S series reduce sustain?
That's a misconception. Thanks to the fixed F106 bridge and the choice of Meranti (a dense wood similar to mahogany), the SEW761FM boasts remarkable sustain. The weight lost in thickness is compensated for by the quality of the neck joint.
Q: What makes the DiMarzio The Tone Zone microphone so special?
It's a high-output pickup with massive bass and midrange. It perfectly compensates for the natural brightness of the maple neck, giving a full and "thick" sound even on such a thin guitar.
Q: Are Jumbo frets suitable for beginners?
They are ideal for all skill levels. The jumbo frets allow you to play with less left-hand pressure, making bends and legato easier. This requires a short adjustment period, but greatly improves fluidity.
Q: Does the "Natural Flat" finish require any special maintenance?
It's a satin finish that allows the wood to breathe. We recommend using a dry cloth or a specific cleaner for matte finishes, available in store. Avoid wax-based polishes, which can create uneven, shiny patches.
Q: Is the Wizard III handle too thin for large hands?
The Wizard III is designed for speed, but its 43mm nut width remains standard. It reduces strain on the thumb, which is often more comfortable for guitarists suffering from muscle fatigue, regardless of hand size.
Q: What is the influence of rosewood on the fingerboard?
Rosewood softens the high frequencies slightly compared to ebony or maple, offering a warm and natural playing feel under the fingers. It's a perfect match for the crisp attack of roasted maple.
Q: Can I easily tune this guitar to Drop D?
Yes! That's one of the great advantages of a fixed bridge. Unlike a floating vibrato, you can change tuning in seconds without unbalancing the entire instrument.
Q: Are the True Velvet pickups silent?
These are true single-coil drivers, so they may pick up a slight "hum" in the presence of RF interference. However, their DiMarzio design minimizes this noise while maximizing dynamics, delivering exceptional sonic purity.
Q: Why buy the SEW761FM from Garage à Musique?
We are the sound experts in Quebec. Every guitar is inspected to ensure flawless electronics and professional-grade action. We offer a level of technical expertise you won't find anywhere else.