Fender American Pro II Telecaster - Electric Guitar - Dark Night
The ultimate working tool, sculpted for performance.
The Fender American Professional II Telecaster® distills over 70 years of innovation into an uncompromising design. Featuring the ultra-comfortable "Deep C" neck profile and a new sculpted heel for full access to the upper frets, it offers unparalleled playability. Its V-Mod II pickups redefine clarity and punch, making this guitar the ultimate choice for studio and stage musicians seeking authentic Fender tone at Garage à Musique.
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The Authority of Twang: Why the American Professional II Telecaster is indispensable?
The Telecaster is the guitar that started it all, but the American Professional II series perfects the icon. It meets the real challenges of the modern guitarist: the new bridge with compensated brass saddles solves historical intonation problems, while the Treble Bleed circuit maintains your sonic clarity, no matter the output volume. With its innovative Push-Push electronics, it offers increased versatility without compromising the instrument's soul. It's the ultimate investment in surgical reliability, available at Garage à Musique.
Full Technical Specifications
Body & Construction
| Characteristic | Details |
| Series | American Professional II |
| Body material | Alder or Roasted Pine depending on the finish |
| Body finish | Glossy polyurethane (Gloss Urethane) |
| Body shape | Telecaster® |
| Configuration | SS (Double Single-Coil) |
Neck & Fingerboard
| Characteristic | Details |
| Handle material | Maple |
| Construction | 4 screws with sculpted heel (4-Bolt) |
| Handle finish | Satin "Super-Natural" (back), Glossy (head) |
| Handle profile | Deep "C" |
| Tuning fork | 25.5" (648 mm) |
| Touch | Maple or Rosewood |
| Touchdown radius | 9.5" (241 mm) |
| Number of frets | 22 |
| Type of frets | Narrow Tall |
| Nut | Bone |
| Nut width | 1.685" (42.8 mm) |
| Inlays | Black or white spots |
| Adjustment rod | Standard (Head fit) |
Electronics & Marine Hardware
| Characteristic | Details |
| Bridge Microphone | V-Mod II Single-Coil Tele® |
| Micro Neck | V-Mod II Single-Coil Tele® |
| Controls | Master Volume (Treble Bleed), Master Tone |
| Selector | 3 positions (Blade) |
| Special Electronics | Push-Push switch on the Tone (Activates Serial Mode) |
| Easel | 3 Top-Load/String-Through saddles with compensated "Bullet" brass saddles |
| Mechanics | Fender® Standard Cast/Sealed Staggered |
| Pickguard | 3-Ply (Black, Mint Green or Tortoiseshell depending on the model) |
| Buttons | Knurled Flat-Top (Moletés) |
| Hardware Finish | Nickel/Chrome |
Dimensions & Accessories
| Characteristic | Details |
| Ropes | Fender® USA 250L NPS (.009-.042 Gauges) |
| Case included | Deluxe Molded Hard Case |
| Origin | USA (Corona, California) |
Comparative Analysis
Based on consensus from Sound on Sound, MusicRadar and Gearspace.
| Alternative Product | Market Segment | Comparative Analysis | Available at Garage à Musique |
| Fender American Ultra Tele | Modern High Performance | Noiseless pickups and compensated radius, but less organic character. | Available here |
| G&L ASAT Classic (USA) | Leo Fender's Evolution | More powerful MFD pickups, but aesthetics that deviate from the original. | Product not listed |
| Fender American Vintage II '51 | Historical Reissue | Pure 1951 sound, but very thick neck and 7.25" radius make it less easy to play. | Available here |
| Suhr Classic T | Boutique / Custom Style | Impeccable finish, but double the price compared to the Pro II. | Product not listed |
| Nash T-52 | Relic / Vintage Vibe | Beautifully worn look, but less modern electronic versatility. | Product not listed |
| Fender Player II Telecaster | Mid-range | Very solid, but without the sculpted heel or the V-Mod II pickups. | Available here |
| Ibanez AZS Series | Modern Hybrid | Very ergonomic, but sounds more like a neutral studio guitar. | Available here |
| Fender American Performer | Entry-level USA | Greasebucket circuit, but lower-end bridges and pickups. | Available here |
| Schecter PT USA | Rock / Performance | Designed for distortion, lacks finesse in clean tone compared to Fender. | Product not listed |
| Yamaha Mike Stern Pac | Signature Jazz/Fusion | Humbucker pickups, very stable, but lacks the classic "twang". | Available here |
History & Evolution
Born as the Broadcaster in 1950, the Telecaster was the first mass-produced, solid-body electric guitar. It has survived seven decades without radical changes, proving the perfection of its original design. The American Professional II series introduces refinements long awaited by purists: a "Push-Push" switch that puts both pickups in series for a fatter, humbucker-like tone, and the "Super-Natural" finish that eliminates the sticky feel of traditional varnishes on the neck.
Cultural References & Artists
Bruce Springsteen - Born to Run (1975) : L'emblème du rock américain.
Keith Richards (Rolling Stones) - "Brown Sugar" (1971) : Le maître de l'Open G sur Tele.
Jimmy Page (Led Zeppelin) - Led Zeppelin I (1969) : Utilisée pour tout le premier album.
Jeff Buckley - Grace (1994) : Un son clair cristallin devenu légendaire.
Joe Strummer (The Clash) - London Calling (1979) : La Telecaster punk par excellence.
Danny Gatton - "The Telemaster", virtuose absolu du country et du jazz.
Prince - Purple Rain (1984) : Jouait une version style Telecaster iconique.
Muddy Waters - Le pilier du Chicago Blues avec sa Telecaster rouge.
Andy Summers (The Police) - Créateur de textures avec des effets sur sa Tele modifiée.
George Harrison (The Beatles) - La célèbre Telecaster en palissandre de "Let It Be".
Albert Collins - "The Master of the Telecaster" et son son tranchant unique.
James Burton - Le roi du "Chicken Pickin" derrière Elvis Presley.
Graham Coxon (Blur) - L'inventivité du Britpop sur Telecaster.
Tom Morello - Utilise une Telecaster pour tous les morceaux en Drop D.
Julian Lage - Démontre la polyvalence incroyable de la Tele en jazz moderne.
FAQ (Frequently Asked Questions)
What is the purpose of the "Push-Push" button on the tone?
This switch activates both pickups in series when in the center position. This increases gain and low-mids, providing a more powerful sound for solos without generating a ground loop —a major innovation from Garage à Musique.
What is the "Super-Natural" finish on the handle?
It's an ultra-thin satin varnish that provides the feel of raw wood. It prevents the hand from sticking during intense sessions, guaranteeing speed of execution without any physical lag for the musician.
Why are the bridges made of brass on this model?
The brass adds warmth and sustain while retaining the characteristic "twang" of the Telecaster. The compensated "Bullet" saddles ensure perfect intonation along the entire length of the neck, a surgically precise technical detail.
Is the V-Mod II microphone more powerful than a vintage microphone?
It's more balanced. Each microphone uses a specific blend of Alnico magnets for its position. The result is exceptional clarity without harsh highs, ideal for cutting through the mix without RF interference.
What is the "Treble Bleed" circuit?
This circuit maintains high frequencies even when you lower the volume. Your sound remains bright and defined, regardless of the output level—an essential feature for dynamic control at Garage à Musique.
Does the guitar come with a case?
Yes, it includes Fender's Deluxe molded case. It's designed for maximum protection with latches certified for air transport, protecting your instrument from shocks and the climatic variations of Quebec.
What is the advantage of the sculpted sleeve heel?
The slimmed-down heel allows your hand to access all 22 frets without the usual obstruction of square neck plates. This makes playing in the upper register easier, eliminating a common technical barrier.
Can the strings be mounted from the top of the bridge?
Yes, this new bridge allows for both "Top-load" and "String-through" mounting. Top-loading reduces tension for easier bends, a customization option we highly recommend.
Is the roasted pine body fragile?
On the contrary. Roasting removes moisture and stabilizes the wood, making it lighter, more resonant, and extremely resistant to temperature changes—an asset for the Canadian climate.
Does this guitar require phantom power?
No, the American Professional II Telecaster is a passive instrument. It requires no batteries, guaranteeing total reliability and a pure, organic signal, true to the spirit of Garage à Musique.
The Authority of Twang: Why the American Professional II Telecaster is indispensable?
The Telecaster is the guitar that started it all, but the American Professional II series perfects the icon. It meets the real challenges of the modern guitarist: the new bridge with compensated brass saddles solves historical intonation problems, while the Treble Bleed circuit maintains your sonic clarity, no matter the output volume. With its innovative Push-Push electronics, it offers increased versatility without compromising the instrument's soul. It's the ultimate investment in surgical reliability, available at Garage à Musique.
Full Technical Specifications
Body & Construction
| Characteristic | Details |
| Series | American Professional II |
| Body material | Alder or Roasted Pine depending on the finish |
| Body finish | Glossy polyurethane (Gloss Urethane) |
| Body shape | Telecaster® |
| Configuration | SS (Double Single-Coil) |
Neck & Fingerboard
| Characteristic | Details |
| Handle material | Maple |
| Construction | 4 screws with sculpted heel (4-Bolt) |
| Handle finish | Satin "Super-Natural" (back), Glossy (head) |
| Handle profile | Deep "C" |
| Tuning fork | 25.5" (648 mm) |
| Touch | Maple or Rosewood |
| Touchdown radius | 9.5" (241 mm) |
| Number of frets | 22 |
| Type of frets | Narrow Tall |
| Nut | Bone |
| Nut width | 1.685" (42.8 mm) |
| Inlays | Black or white spots |
| Adjustment rod | Standard (Head fit) |
Electronics & Marine Hardware
| Characteristic | Details |
| Bridge Microphone | V-Mod II Single-Coil Tele® |
| Micro Neck | V-Mod II Single-Coil Tele® |
| Controls | Master Volume (Treble Bleed), Master Tone |
| Selector | 3 positions (Blade) |
| Special Electronics | Push-Push switch on the Tone (Activates Serial Mode) |
| Easel | 3 Top-Load/String-Through saddles with compensated "Bullet" brass saddles |
| Mechanics | Fender® Standard Cast/Sealed Staggered |
| Pickguard | 3-Ply (Black, Mint Green or Tortoiseshell depending on the model) |
| Buttons | Knurled Flat-Top (Moletés) |
| Hardware Finish | Nickel/Chrome |
Dimensions & Accessories
| Characteristic | Details |
| Ropes | Fender® USA 250L NPS (.009-.042 Gauges) |
| Case included | Deluxe Molded Hard Case |
| Origin | USA (Corona, California) |
Comparative Analysis
Based on consensus from Sound on Sound, MusicRadar and Gearspace.
| Alternative Product | Market Segment | Comparative Analysis | Available at Garage à Musique |
| Fender American Ultra Tele | Modern High Performance | Noiseless pickups and compensated radius, but less organic character. | Available here |
| G&L ASAT Classic (USA) | Leo Fender's Evolution | More powerful MFD pickups, but aesthetics that deviate from the original. | Product not listed |
| Fender American Vintage II '51 | Historical Reissue | Pure 1951 sound, but very thick neck and 7.25" radius make it less easy to play. | Available here |
| Suhr Classic T | Boutique / Custom Style | Impeccable finish, but double the price compared to the Pro II. | Product not listed |
| Nash T-52 | Relic / Vintage Vibe | Beautifully worn look, but less modern electronic versatility. | Product not listed |
| Fender Player II Telecaster | Mid-range | Very solid, but without the sculpted heel or the V-Mod II pickups. | Available here |
| Ibanez AZS Series | Modern Hybrid | Very ergonomic, but sounds more like a neutral studio guitar. | Available here |
| Fender American Performer | Entry-level USA | Greasebucket circuit, but lower-end bridges and pickups. | Available here |
| Schecter PT USA | Rock / Performance | Designed for distortion, lacks finesse in clean tone compared to Fender. | Product not listed |
| Yamaha Mike Stern Pac | Signature Jazz/Fusion | Humbucker pickups, very stable, but lacks the classic "twang". | Available here |
History & Evolution
Born as the Broadcaster in 1950, the Telecaster was the first mass-produced, solid-body electric guitar. It has survived seven decades without radical changes, proving the perfection of its original design. The American Professional II series introduces refinements long awaited by purists: a "Push-Push" switch that puts both pickups in series for a fatter, humbucker-like tone, and the "Super-Natural" finish that eliminates the sticky feel of traditional varnishes on the neck.
Cultural References & Artists
Bruce Springsteen - Born to Run (1975) : L'emblème du rock américain.
Keith Richards (Rolling Stones) - "Brown Sugar" (1971) : Le maître de l'Open G sur Tele.
Jimmy Page (Led Zeppelin) - Led Zeppelin I (1969) : Utilisée pour tout le premier album.
Jeff Buckley - Grace (1994) : Un son clair cristallin devenu légendaire.
Joe Strummer (The Clash) - London Calling (1979) : La Telecaster punk par excellence.
Danny Gatton - "The Telemaster", virtuose absolu du country et du jazz.
Prince - Purple Rain (1984) : Jouait une version style Telecaster iconique.
Muddy Waters - Le pilier du Chicago Blues avec sa Telecaster rouge.
Andy Summers (The Police) - Créateur de textures avec des effets sur sa Tele modifiée.
George Harrison (The Beatles) - La célèbre Telecaster en palissandre de "Let It Be".
Albert Collins - "The Master of the Telecaster" et son son tranchant unique.
James Burton - Le roi du "Chicken Pickin" derrière Elvis Presley.
Graham Coxon (Blur) - L'inventivité du Britpop sur Telecaster.
Tom Morello - Utilise une Telecaster pour tous les morceaux en Drop D.
Julian Lage - Démontre la polyvalence incroyable de la Tele en jazz moderne.
FAQ (Frequently Asked Questions)
What is the purpose of the "Push-Push" button on the tone?
This switch activates both pickups in series when in the center position. This increases gain and low-mids, providing a more powerful sound for solos without generating a ground loop —a major innovation from Garage à Musique.
What is the "Super-Natural" finish on the handle?
It's an ultra-thin satin varnish that provides the feel of raw wood. It prevents the hand from sticking during intense sessions, guaranteeing speed of execution without any physical lag for the musician.
Why are the bridges made of brass on this model?
The brass adds warmth and sustain while retaining the characteristic "twang" of the Telecaster. The compensated "Bullet" saddles ensure perfect intonation along the entire length of the neck, a surgically precise technical detail.
Is the V-Mod II microphone more powerful than a vintage microphone?
It's more balanced. Each microphone uses a specific blend of Alnico magnets for its position. The result is exceptional clarity without harsh highs, ideal for cutting through the mix without RF interference.
What is the "Treble Bleed" circuit?
This circuit maintains high frequencies even when you lower the volume. Your sound remains bright and defined, regardless of the output level—an essential feature for dynamic control at Garage à Musique.
Does the guitar come with a case?
Yes, it includes Fender's Deluxe molded case. It's designed for maximum protection with latches certified for air transport, protecting your instrument from shocks and the climatic variations of Quebec.
What is the advantage of the sculpted sleeve heel?
The slimmed-down heel allows your hand to access all 22 frets without the usual obstruction of square neck plates. This makes playing in the upper register easier, eliminating a common technical barrier.
Can the strings be mounted from the top of the bridge?
Yes, this new bridge allows for both "Top-load" and "String-through" mounting. Top-loading reduces tension for easier bends, a customization option we highly recommend.
Is the roasted pine body fragile?
On the contrary. Roasting removes moisture and stabilizes the wood, making it lighter, more resonant, and extremely resistant to temperature changes—an asset for the Canadian climate.
Does this guitar require phantom power?
No, the American Professional II Telecaster is a passive instrument. It requires no batteries, guaranteeing total reliability and a pure, organic signal, true to the spirit of Garage à Musique.