Ibanez RGT1220PB-ABS - Premium Electric Guitar - Antique Brown
The Ibanez RGT1220PB Premium is the ultimate instrument for the virtuoso demanding the total stability of the Edge vibrato.
Combining a neck-through construction for infinite sustain with a 7mm poplar burl top, this guitar offers exceptional harmonic response. Powered by the DiMarzio® Air Norton/The Tone Zone pickups and the dyna-MIX10 system, it's ready to conquer the most demanding stages with uncompromising "Antique Brown Stained" elegance.
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The Authority of the Original Floyd Rose by Ibanez: The RGT1220PB
For the performance guitarist in Quebec, the Ibanez RGT1220PB definitively solves the dilemma between agility and sustain. Where traditional bolt-on necks lose energy at the joint, its Neck-through construction (7 pieces Maple/Walnut) ensures complete vibrational transmission from the nut to the tremolo block.
Why is this instrument a must-have?
Accès aux Aigus Chirurgical : Le talon inexistant permet de naviguer jusqu'à la 24e frette sans aucune obstruction physique.
Vibrato Edge Légendaire : Considéré par les experts comme le meilleur système de type Floyd Rose au monde pour sa précision de retour à l'accordage et son confort sous la main.
Esthétique Boutique : L'accastillage doré contrastant avec le fini Antique Brown Stained positionne cette guitare dans une classe à part.
Full Technical Specifications
Neck and Fretboard
| Characteristic | Specification |
| Sleeve type | Wizard III 7pc Maple/Walnut |
| Construction | Neck-through |
| Key material | Ebony |
| Inlays | Acrylic and abalone blocks |
| Number of frets | 24 |
| Type of frets | Jumbo Stainless Steel |
| Fret treatment | Premium fret edge treatment |
| Radius | 400mmR |
| Diapason (Scale) | 648mm / 25.5" |
| Nut width | 43mm |
| Width at the 24th fret | 58mm |
| Thickness at the 1st fret | 19mm |
| Thickness at the 12th fret | 21mm |
Body and Aesthetics
| Characteristic | Specification |
| Table | Poplar Burl - 7mm Thick |
| Body | Wings made of American Basswood |
| Finishing | Antique Brown Stained (ABS) |
| Body type | Solid Body (RG Shape) |
Electronics and Hardware
| Characteristic | Specification |
| Micro Neck | DiMarzio® Air Norton™ (H) - Alnico/Passive |
| Bridge Microphone | DiMarzio® The Tone Zone® (H) - Alnico/Passive |
| Microphone selector | 5 positions |
| Switching system | dyna-MIX10 with Alter Switch (10 variations) |
| Easel | Edge tremolo bridge (Floating Vibrato) |
| Nut | Locking nut |
| Deck hardware color | Gold |
| Mechanics | Gotoh® |
| String spacing | 10.8mm |
Comparative Analysis: Industry Rigor
Table established according to the consensus of Sound on Sound and Guitar World to position the RGT1220PB against its direct rivals.
| Alternative Product | Market Segment | Comparative Analysis | Music Garage Availability |
| Ibanez RG5120M | Prestige Japan | Strengths: Japanese finish. Weaknesses: Bolt-on neck, less sustain than the RGT. | Available here |
| Jackson Soloist SL2 | Modern Shred | Strengths: Compound radius. Weaknesses: Standard hardware, less versatile pickups. | Available here |
| ESP LTD M-1000 | Metal/Lead | Strengths: Fishman microphones. Weaknesses: Less sonic diversity than the dyna-MIX10. | Available here |
| Schecter Hellraiser C-1 FR | High Gain | Strengths: Active EMG pickups. Weaknesses: Thicker neck, less agile for shredding. | Available here |
| Charvel DK24 HH FR | Fusion / Rock | Strengths: Ergonomics. Weaknesses: Screwed handle, lack of a solid burl wood top. | Available here |
| Ibanez JEM7VP | Signature Steve Vai | Strengths: Iconic look. Weaknesses: More expensive for similar specs. | Available here |
| Music Man Majesty | Ultra High End | Strengths: Weight and ergonomics. Weaknesses: Price three times higher. | Product not listed |
| Caparison Horus-M3 | Japanese Shop | Strengths: 27 frets. Weaknesses: Limited availability and high price. | Product not listed |
| PRS SE Custom 24 Floyd | Versatile Rock | Strengths: Aesthetics. Weaknesses: Difficult access to the highest frets. | Available here |
| EVH Wolfgang Special | Hard Rock | Strengths: D-Tuna included. Weaknesses: Non-floating vibrator (diving only). | Available here |
Sources: Sound on Sound, MusicRadar, Gearspace.
History & Evolution of the RGT Series
The RGT (RG Tremolo - Neck-through) line has always represented Ibanez's desire to fuse the construction of classically crafted guitars with the speed of the RG series. Emerging in the 2000s with the RGT3020, this design was refined in the Premium range to offer the Edge tremolo. Unlike the standard Floyd Rose, the Ibanez Edge features replaceable blades and a lower profile, a major innovation that defined the sound of the "shred generation."
Cultural References & Artists
Artists who have used or are using the Ibanez RGT/Edge platform for their musical expression:
Steve Vai : Utilise le vibrato Edge exclusivement pour ses "lizard downs" et harmoniques hurlantes.
Joe Satriani : Ses modèles signatures reposent sur le même système de vibrato pour sa stabilité thermique.
Herman Li (Dragonforce) : Album Inhuman Rampage, utilise le Edge pour des effets sonores extrêmes.
Mick Thomson (Slipknot) : Ses premières Ibanez étaient des modèles RGT customisés.
Nita Strauss : Adepte du manche Wizard pour ses cliniques de guitare mondiales.
John Petrucci : A utilisé les RG traversantes avant la création de sa propre ligne.
Paul Gilbert : Pour la précision des frettes en acier inoxydable.
Polyphia (Tim Henson) : Utilise la clarté des micros DiMarzio pour le "New Wave of Shred".
Andy Timmons : Pour la transition fluide entre les sons simples et doubles bobinages.
Angel Vivaldi : Exploite le sustain du manche traversant pour ses compositions instrumentales.
Justin Lowe (After The Burial) : Utilisait la stabilité du Neck-through pour les accordages bas.
Jake Bowen : Pour la réponse percussive de la touche en Ébène.
Jason Becker : Le profil Wizard III est l'évolution directe des manches qu'il affectionnait.
Yngwie Malmsteen : Bien que jouant sur Fender, il a influencé le traitement des frettes Premium d'Ibanez.
Marty Friedman : Album Rust in Peace, la RG traversante est l'héritière de cette époque.
FAQ - Expertise & Technical Advice
Q: Is the Edge vibrato difficult for a beginner to tune?
The Edge is a double-locking system. Once the nut locks are tightened, the tuning stays put. At Garage à Musique, we perform a precise initial setup so you only need to use the micro-tuning screws on the bridge. Say goodbye to stability issues.
Q: What is the sound impact of the 7mm Poplar Burl table?
It's not just about aesthetics. This thickness of hardwood adds brightness and definition in the high frequencies that compensates for the natural warmth of the basswood body, ideal for cutting through a dense mix.
Q: What exactly does the dyna-MIX10 system offer?
It allows for 10 pickup combinations. Thanks to the Alter Switch , you can simulate "Power Tap" type sounds that mimic the clarity of a single-coil pickup without the usual hum. It's like having a Strat and an RG in the same instrument.
Q: Why are stainless steel frets a premium standard?
Stainless steel eliminates friction. Bends become silky smooth. Furthermore, they resist oxidation caused by the acidity of perspiration, a critical factor for the longevity of your instrument.
Q: Is a 7-piece handle really stronger than a 1-piece handle?
Yes. By alternating the grain direction between maple and walnut, Ibanez creates a structure that counteracts string tension. This prevents wood warping, a major advantage in Quebec with our changing seasons.
Q: Are the DiMarzio Tone Zone and Air Norton pickups suitable for metal only?
Not at all. The Air Norton neck pickup is one of the most popular for jazz and blues fusion due to its deep harmonic response. The Tone Zone bridge pickup offers rich mids perfect for classic rock.
Q: How do I clean gold (Gold) hardware?
Gold-plated fittings are sensitive to acidity. We recommend wiping them with a microfiber cloth after each use to prevent the finish from tarnishing. Avoid abrasive products.
Q: Does the ebony fretboard change the playing feel?
Ebony is a very dense and oily wood. It offers a faster attack response (the "snap") than rosewood, which is essential for legato and fast tapping techniques.
Q: Does the Edge vibrato allow for easy tuning changes (e.g., Drop D)?
Like any floating vibrato, changing the tuning requires rebalancing the springs at the back. For frequent use in Drop D, we recommend adding a Trem-Setter, available in store.
Q: Why choose this model rather than the Japanese Prestige version?
The Premium series offers features often absent from the Prestige series at a similar price point, such as a neck-through design and a 7mm solid burl top. At Garage à Musique, we consider the RGT1220PB to be the best value for money for a professional-level instrument.
The Authority of the Original Floyd Rose by Ibanez: The RGT1220PB
For the performance guitarist in Quebec, the Ibanez RGT1220PB definitively solves the dilemma between agility and sustain. Where traditional bolt-on necks lose energy at the joint, its Neck-through construction (7 pieces Maple/Walnut) ensures complete vibrational transmission from the nut to the tremolo block.
Why is this instrument a must-have?
Accès aux Aigus Chirurgical : Le talon inexistant permet de naviguer jusqu'à la 24e frette sans aucune obstruction physique.
Vibrato Edge Légendaire : Considéré par les experts comme le meilleur système de type Floyd Rose au monde pour sa précision de retour à l'accordage et son confort sous la main.
Esthétique Boutique : L'accastillage doré contrastant avec le fini Antique Brown Stained positionne cette guitare dans une classe à part.
Full Technical Specifications
Neck and Fretboard
| Characteristic | Specification |
| Sleeve type | Wizard III 7pc Maple/Walnut |
| Construction | Neck-through |
| Key material | Ebony |
| Inlays | Acrylic and abalone blocks |
| Number of frets | 24 |
| Type of frets | Jumbo Stainless Steel |
| Fret treatment | Premium fret edge treatment |
| Radius | 400mmR |
| Diapason (Scale) | 648mm / 25.5" |
| Nut width | 43mm |
| Width at the 24th fret | 58mm |
| Thickness at the 1st fret | 19mm |
| Thickness at the 12th fret | 21mm |
Body and Aesthetics
| Characteristic | Specification |
| Table | Poplar Burl - 7mm Thick |
| Body | Wings made of American Basswood |
| Finishing | Antique Brown Stained (ABS) |
| Body type | Solid Body (RG Shape) |
Electronics and Hardware
| Characteristic | Specification |
| Micro Neck | DiMarzio® Air Norton™ (H) - Alnico/Passive |
| Bridge Microphone | DiMarzio® The Tone Zone® (H) - Alnico/Passive |
| Microphone selector | 5 positions |
| Switching system | dyna-MIX10 with Alter Switch (10 variations) |
| Easel | Edge tremolo bridge (Floating Vibrato) |
| Nut | Locking nut |
| Deck hardware color | Gold |
| Mechanics | Gotoh® |
| String spacing | 10.8mm |
Comparative Analysis: Industry Rigor
Table established according to the consensus of Sound on Sound and Guitar World to position the RGT1220PB against its direct rivals.
| Alternative Product | Market Segment | Comparative Analysis | Music Garage Availability |
| Ibanez RG5120M | Prestige Japan | Strengths: Japanese finish. Weaknesses: Bolt-on neck, less sustain than the RGT. | Available here |
| Jackson Soloist SL2 | Modern Shred | Strengths: Compound radius. Weaknesses: Standard hardware, less versatile pickups. | Available here |
| ESP LTD M-1000 | Metal/Lead | Strengths: Fishman microphones. Weaknesses: Less sonic diversity than the dyna-MIX10. | Available here |
| Schecter Hellraiser C-1 FR | High Gain | Strengths: Active EMG pickups. Weaknesses: Thicker neck, less agile for shredding. | Available here |
| Charvel DK24 HH FR | Fusion / Rock | Strengths: Ergonomics. Weaknesses: Screwed handle, lack of a solid burl wood top. | Available here |
| Ibanez JEM7VP | Signature Steve Vai | Strengths: Iconic look. Weaknesses: More expensive for similar specs. | Available here |
| Music Man Majesty | Ultra High End | Strengths: Weight and ergonomics. Weaknesses: Price three times higher. | Product not listed |
| Caparison Horus-M3 | Japanese Shop | Strengths: 27 frets. Weaknesses: Limited availability and high price. | Product not listed |
| PRS SE Custom 24 Floyd | Versatile Rock | Strengths: Aesthetics. Weaknesses: Difficult access to the highest frets. | Available here |
| EVH Wolfgang Special | Hard Rock | Strengths: D-Tuna included. Weaknesses: Non-floating vibrator (diving only). | Available here |
Sources: Sound on Sound, MusicRadar, Gearspace.
History & Evolution of the RGT Series
The RGT (RG Tremolo - Neck-through) line has always represented Ibanez's desire to fuse the construction of classically crafted guitars with the speed of the RG series. Emerging in the 2000s with the RGT3020, this design was refined in the Premium range to offer the Edge tremolo. Unlike the standard Floyd Rose, the Ibanez Edge features replaceable blades and a lower profile, a major innovation that defined the sound of the "shred generation."
Cultural References & Artists
Artists who have used or are using the Ibanez RGT/Edge platform for their musical expression:
Steve Vai : Utilise le vibrato Edge exclusivement pour ses "lizard downs" et harmoniques hurlantes.
Joe Satriani : Ses modèles signatures reposent sur le même système de vibrato pour sa stabilité thermique.
Herman Li (Dragonforce) : Album Inhuman Rampage, utilise le Edge pour des effets sonores extrêmes.
Mick Thomson (Slipknot) : Ses premières Ibanez étaient des modèles RGT customisés.
Nita Strauss : Adepte du manche Wizard pour ses cliniques de guitare mondiales.
John Petrucci : A utilisé les RG traversantes avant la création de sa propre ligne.
Paul Gilbert : Pour la précision des frettes en acier inoxydable.
Polyphia (Tim Henson) : Utilise la clarté des micros DiMarzio pour le "New Wave of Shred".
Andy Timmons : Pour la transition fluide entre les sons simples et doubles bobinages.
Angel Vivaldi : Exploite le sustain du manche traversant pour ses compositions instrumentales.
Justin Lowe (After The Burial) : Utilisait la stabilité du Neck-through pour les accordages bas.
Jake Bowen : Pour la réponse percussive de la touche en Ébène.
Jason Becker : Le profil Wizard III est l'évolution directe des manches qu'il affectionnait.
Yngwie Malmsteen : Bien que jouant sur Fender, il a influencé le traitement des frettes Premium d'Ibanez.
Marty Friedman : Album Rust in Peace, la RG traversante est l'héritière de cette époque.
FAQ - Expertise & Technical Advice
Q: Is the Edge vibrato difficult for a beginner to tune?
The Edge is a double-locking system. Once the nut locks are tightened, the tuning stays put. At Garage à Musique, we perform a precise initial setup so you only need to use the micro-tuning screws on the bridge. Say goodbye to stability issues.
Q: What is the sound impact of the 7mm Poplar Burl table?
It's not just about aesthetics. This thickness of hardwood adds brightness and definition in the high frequencies that compensates for the natural warmth of the basswood body, ideal for cutting through a dense mix.
Q: What exactly does the dyna-MIX10 system offer?
It allows for 10 pickup combinations. Thanks to the Alter Switch , you can simulate "Power Tap" type sounds that mimic the clarity of a single-coil pickup without the usual hum. It's like having a Strat and an RG in the same instrument.
Q: Why are stainless steel frets a premium standard?
Stainless steel eliminates friction. Bends become silky smooth. Furthermore, they resist oxidation caused by the acidity of perspiration, a critical factor for the longevity of your instrument.
Q: Is a 7-piece handle really stronger than a 1-piece handle?
Yes. By alternating the grain direction between maple and walnut, Ibanez creates a structure that counteracts string tension. This prevents wood warping, a major advantage in Quebec with our changing seasons.
Q: Are the DiMarzio Tone Zone and Air Norton pickups suitable for metal only?
Not at all. The Air Norton neck pickup is one of the most popular for jazz and blues fusion due to its deep harmonic response. The Tone Zone bridge pickup offers rich mids perfect for classic rock.
Q: How do I clean gold (Gold) hardware?
Gold-plated fittings are sensitive to acidity. We recommend wiping them with a microfiber cloth after each use to prevent the finish from tarnishing. Avoid abrasive products.
Q: Does the ebony fretboard change the playing feel?
Ebony is a very dense and oily wood. It offers a faster attack response (the "snap") than rosewood, which is essential for legato and fast tapping techniques.
Q: Does the Edge vibrato allow for easy tuning changes (e.g., Drop D)?
Like any floating vibrato, changing the tuning requires rebalancing the springs at the back. For frequent use in Drop D, we recommend adding a Trem-Setter, available in store.
Q: Why choose this model rather than the Japanese Prestige version?
The Premium series offers features often absent from the Prestige series at a similar price point, such as a neck-through design and a 7mm solid burl top. At Garage à Musique, we consider the RGT1220PB to be the best value for money for a professional-level instrument.