Shure SM35-XLR Cardioid Condenser Headset Microphone
The Shure SM35-XLR is a cardioid condenser headset microphone supplied with an RPM400 preamp that plugs it straight into a phantom-powered XLR input. It frees the hands of the multi-instrumentalist who sings, the drummer who sings backup or the performer who moves around the stage.
What sets it apart
- Tight cardioid pattern that rejects stage monitors and bleed
- Flexible gooseneck to place the mic close to the mouth
- Light, low-profile frame, made to be worn for long sets
- RPM400 preamp included, phantom powered from 12 to 52 V
- Two snap-fit windscreens against plosives and breath
Wired, thanks to the RPM400 preamp
The SM35 is designed first for Shure bodypack transmitters, through its TA4F plug. The XLR version adds the RPM400 preamp, which makes it a wired mic. Its active, neutral-gain circuit mimics wireless: the output level stays the same whether the mic is wired or on a transmitter. Shure states high immunity to radio interference and a belt clip for the preamp.
The mic needs phantom power from 12 to 52 V. Shure measures its data at 48 V; it works at lower voltages, with slightly less headroom and sensitivity.
Wearing it properly
The windscreen goes on the boom, the headband goes behind the head, boom on the left. The mic sits at the corner of the mouth, not in front: that is what reduces plosives. After a show, Shure recommends letting perspiration dry before putting the mic away, and not storing it in a damp, closed space.
For loud stages
Its cardioid pattern is aimed at loud stages, behind floor monitors, from the small bar to the arena tour. Its response is tuned for a clear, crisp voice, from 40 to 20,000 Hz, and it handles up to 151.3 dB SPL. Shure also includes it in its BLX and GLX-D wireless systems.
Specifications
| Type | Electret condenser |
|---|---|
| Polar pattern | Cardioid |
| Frequency response | 40 to 20,000 Hz |
| Sensitivity | -57.8 dBV/Pa at 1 kHz |
| Maximum SPL | 151.3 dB (1% THD) |
| Dynamic range | 116.5 dB |
| Self-noise | 34.8 dB SPL, A-weighted |
| Power | Phantom, 12 to 52 V DC (XLR connector) |
| Microphone cable | 1.1 m |
| Weight | 72 g |
| Included | RPM400 preamp, 2 windscreens, 1 clip |
What it's for
- Singing while playing guitar, keys or drums
- Singing backup behind a drum kit without a mic stand
- Hosting or dancing on stage with free hands
- Plugging a headset mic straight into a mixer, with no wireless system
Compared with other manufacturers
Other directional condenser headset microphones, from other manufacturers. Data as published by each manufacturer.
| Model | Polar pattern | Distinctive feature |
|---|---|---|
| Shure SM35-XLR | Cardioid | RPM400 preamp included for an XLR input |
| AKG C520 | Cardioid | Boom mounts left or right, moisture shield against perspiration |
| DPA 4088 | Directional | Several terminations: MicroLock, 3-pin LEMO, TA4F, Mini-XLR, mini-jack |
Frequently asked questions
- Does the SM35 require phantom power?
- Yes, in its XLR version: 12 to 52 V DC. On a Shure bodypack transmitter, the transmitter powers it through the TA4F plug.
- What is the difference between the SM35-TQG and the SM35-XLR?
- Same microphone. The TQG ends in a TA4F plug for a bodypack transmitter; the XLR adds the RPM400 preamp for a wired mic input.
- How do you wear the SM35?
- Headband behind the head, boom on the left, mic at the corner of the mouth rather than in front, windscreen on.
- Is the SM35 good for singing?
- Yes. Shure tunes its response for a clear, crisp voice, and designs it for musicians who sing while they play.
Avis clients
Which instrument was this SM35 worn with on stage? Comments are open.
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