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Shure

Shure SM58-CN Cardioid Dynamic Vocal Microphone with XLR Cable

Model SM58-CN
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Shure SM58-CN: cardioid dynamic vocal microphone, supplied with a 7.5 m XLR cable, a stand adapter and a bag. Everything needed to connect the mic to a mixer straight out of the box.

175.00 $ 175.0 CAD 175.00 $

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Shure

The Shure SM58-CN is a cardioid dynamic vocal microphone sold with its cable: a 7.5 m C25J, XLR male to XLR female, ready to connect the mic to a mixer or an interface. The box also holds the A25D swivel stand adapter and a zippered bag.

What sets it apart

  • 7.5 m (25 ft) C25J XLR cable included, with chrome connectors
  • Cardioid dynamic capsule with a response tailored for vocals, from 50 Hz to 15 kHz
  • Steel mesh grille designed to absorb impacts by deforming
  • Handling noise reduced by the pneumatic shock mount
  • Works without power: no phantom power to plan for

Ready to plug in out of the box

For a first PA system, a rehearsal room or a spare mic, the SM58-CN saves hunting for a compatible cable. The supplied C25J is 7.5 m long, enough to run from the front of the stage to a mixer or a stage box. Shure describes it as a Hi-Flex cable with chrome XLR connectors, for low-impedance operation. The mic itself is the same as the SM58 sold without a cable.

A grille made to dent

The SM58's spherical grille is designed like a car's crumple zone: under impact, it dents to protect the cartridge, and the mic keeps working. Shure points out that it bends without forming sharp edges. It unscrews and can be replaced in seconds (part RK143G); the cartridge is also available as a replacement part (R59).

A cartridge that handles high levels

According to Shure's historian, it would take a level of 150 to 180 dB SPL to make the SM58 distort, far beyond what the ear can bear: a dynamic microphone of this design rarely reaches its distortion point in normal use. Ernie Seeler, the engineer who designed its cartridge, tested it by dropping, cooking, freezing and submerging it.

For sound reinforcement, the SM58 user guide recalls the three-to-one rule: the distance between two mics should be at least three times the distance from each mic to its source.

Specifications

In the boxMic, C25J cable, A25D stand adapter, zippered bag
Supplied cableC25J Hi-Flex, 7.5 m (25 ft), XLR male to XLR female, chrome connectors
PrincipleDynamic microphone
Response curve50 Hz to 15 kHz
PickupCardioid (unidirectional)
Output level-56.0 dBV/Pa at 1 kHz
Actual impedance300 ohms
Mic weight330 g
Length and diameter162 mm and 51 mm
GrilleSpherical steel mesh, replaceable (RK143G)

What it's for

  • First vocal mic for a band or a rehearsal space
  • Spare mic ready to come out of its bag
  • Hosting and speeches in a room with a PA
  • Live vocals when the mixer is far from the stage

Compared with other manufacturers

Other dynamic vocal microphones, from other manufacturers, compared on what comes in the box. Data published by each manufacturer.

ModelTypeSupplied with the mic
Shure SM58-CNCardioid dynamic7.5 m C25J XLR cable, A25D stand adapter, zippered bag
Sennheiser e 835Cardioid dynamicMZQ 800 clip, pouch
Audio-Technica ATM510Cardioid dynamicAT8470 stand clamp, 5/8 in. to 3/8 in. thread adapter, protective pouch
Audio-Technica ATM610aHypercardioid dynamicAT8470 stand clamp, thread adapter, protective pouch
Sennheiser e 845Supercardioid dynamicMZQ 800 clip

Frequently asked questions

What is the difference between the SM58-CN and the SM58-LC?
The mic is the same. The SM58-CN comes with a 7.5 m C25J XLR cable; the SM58-LC only has the stand adapter and the storage bag.
Can the SM58 be wireless?
This model is wired. Shure does, however, offer the SM58 capsule on its wireless transmitters: in 2016, it was available for every one of its eleven wireless system lines.
Why does an SM58 grille dent?
By design: it absorbs the impact to protect the cartridge, like a crumple zone. The mic keeps working, and a replacement grille screws on in seconds.
What is the maximum sound level the SM58 can handle?
According to Shure's historian, the SM58 would only distort somewhere between 150 and 180 dB SPL, a level far above what the ear can safely bear.

Avis clients

First mic for a band? A review of this SM58-CN is welcome, comments are open.

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