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Shure

Shure SM58-LC Cardioid Dynamic Vocal Microphone (No Cable)

Model SM58-LC
(0)
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Shure SM58-LC: cardioid dynamic vocal microphone, on stage and in the studio. 50 Hz to 15 kHz response tailored for singing, built-in pop filter. Sold without a cable, with stand adapter and bag.

149.00 $ 149.0 CAD 149.00 $

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  • Manufacturer warranty. We handle the paperwork with them.
Shure

The Shure SM58-LC is a cardioid dynamic vocal microphone designed for the stage, sound reinforcement and studio recording. This version comes without a cable or a switch: the box holds the mic, its A25D stand adapter and a zippered storage bag.

What sets it apart

  • Response from 50 to 15,000 Hz tailored for vocals: brightened midrange and bass rolloff
  • Uniform cardioid pattern: high gain before feedback, good off-axis rejection
  • Built-in spherical filter against wind and plosives
  • Pneumatic capsule shock mount against handling noise
  • Break-resistant stand adapter that rotates 180 degrees

Where to put the stage monitors

A cardioid microphone rejects best what comes straight from the rear. Shure therefore recommends placing monitors and loudspeakers directly behind the SM58, then testing that placement before the show to keep feedback down. The guide adds a few simple rules: one mic per source, as few mics as possible, a windscreen outdoors, and never a hand over the grille, which degrades the sound.

A studio mic that became a stage mic

The SM in its name stands for "Studio Microphone". According to Shure's historian, the SM58 was launched in 1966 for radio and television, hence its non-reflective dark grey finish and the absence of a switch. Sales lagged and, around 1970, its future was uncertain; Shure then introduced it to live sound engineers in Las Vegas, who adopted it for performance. The Who, the Rolling Stones, Paul McCartney and Patti Smith, among others, went on to sing into an SM58.

Bass and distance

The closer the mouth, the stronger the bass: this is proximity effect, in the range of 6 to 10 dB below 100 Hz when the source is only a few millimetres away. To keep the sound from booming up close, the SM58's response gradually rolls off in the bass; a singer can move in to warm up the voice without losing clarity.

Specifications

TypeDynamic (moving coil)
Polar patternCardioid
Frequency response50 to 15,000 Hz
Sensitivity at 1 kHz-56.0 dBV/Pa (1.6 mV)
Impedance300 ohms actual (150 ohms rated)
Connector3-pin male XLR
HousingDark grey enamelled die-cast metal, spherical steel mesh grille
Dimensions162 mm long, 51 mm wide
Net weight330 g
SuppliedA25D stand adapter, zippered bag; no cable
Replacement partsR59 cartridge, RK143G grille

What it's for

  • Lead vocals in concert, from the bar to the big hall
  • Backing vocals and harmonies in rehearsal
  • Speeches, hosting and announcements on stage
  • Vocals in a home studio

Compared with other manufacturers

Other dynamic stage vocal microphones, from other manufacturers. Data published by each manufacturer.

ModelPolar patternFrequency responseStated feature
Shure SM58-LCCardioid50 to 15,000 HzSpherical filter against wind and plosives
Sennheiser e 835Cardioid40 to 16,000 HzHum-compensating coil
Sennheiser e 845Supercardioid40 to 16,000 HzExtended highs, high output
Audix OM2Hypercardioid50 Hz to 16 kHzVery low-mass diaphragm
Audio-Technica ATM510Cardioid90 to 16,000 HzRare-earth magnet, multi-stage grille

Frequently asked questions

Does the SM58 need phantom power?
No. According to Shure, a dynamic microphone like the SM58 has no active electronics and does not need it. Phantom power will not damage it in the vast majority of cases, but Shure advises turning it off before plugging or unplugging a microphone.
What is the difference between the SM58 and the SM57?
Both are built on the same cartridge design. The SM58 has a ball grille that filters plosives, meant for vocals; the SM57, meant for instruments, has a small grille built into the cartridge, which brings its diaphragm closer to the source.
Is the SM58 cardioid or supercardioid?
Cardioid. It rejects best the sounds arriving from the rear, which is why Shure recommends placing stage monitors directly behind it.
What comes in the SM58-LC box?
The mic, the A25D swivel stand adapter and a zippered storage bag. No cable is included: an XLR cable must be bought separately.

Avis clients

Which stage has this SM58 proven itself on? Comments are open.

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