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Vater Vinnie Colaiuta Model Drumsticks (Hickory, Wood Tip)

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A grip that swells by a hundredth of an inch in the middle, then narrows again: your hand finds a soft stop and stops sliding back. Developed on the lathe, with the drummer standing at the machine.

20.99 $ 20.99 CAD 20.99 $

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In stock at our distributor — order online, not in the Terrebonne store.
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  • Manufacturer warranty. We handle the paperwork with them.
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The Vinnie Colaiuta model is a 15 15/16 in hickory drumstick whose grip area starts at 0.590 in, swells slightly to 0.600 in, then returns to 0.590 in. That swell of a few hundredths is the centrepiece of the design.

What sets it apart

  • Grip at 0.590 in, swelling to 0.600 in, then back to 0.590 in
  • 15 15/16 in long, just short of 16 in
  • Medium acorn tip, for a full yet defined sound
  • Taper calibrated with the drummer for rebound
  • Hickory turned on a lathe, a process the signature drummer highlights
  • Developed on stage, in the studio and on a practice pad

A swell of a quarter of a millimetre

The shaft does not follow a straight line: it opens by a hundredth of an inch in the middle of the grip before closing again. You cannot see it. In your hand, the palm finds a soft stop, and the stick stops sliding backward as the gig goes on.

It is a mechanical answer to a problem every drummer knows: the slow migration of the hand once sweat sets in. Here, the shape does what you would normally ask of grip tape.

Why a sixteenth of an inch shorter

The chosen length, 15 15/16 in, is not a round number. It revives an older dimension the drummer wanted to get back to, a hair under the 16 in mark.

This tiny reduction moves the balance point back. The stick turns over faster between two quick figures, without losing the reach needed for a cymbal set up high. It is the kind of detail that is only justified by hundreds of hours of testing.

A medium acorn, a middle-ground decision

A large acorn tip moves air and rounds everything off; a small one articulates but disappears in a loud band. This one sits in the middle, which is what a set list that goes from jazz to heavy rock in the same night calls for.

Combined with the taper, it gives a full yet readable cymbal sound. The pair stays the same from the lightest tune to the densest, which is exactly the brief the drummer had set.

Specifications

Grip area0.590 in, swelling to 0.600 in, back to 0.590 in
Overall length15 15/16 in (40.5 cm)
TipMedium acorn
TaperCalibrated for rebound
Wood speciesHickory

What it is for

  • Set lists that go from jazz to rock in the same show
  • Studio work where consistency comes first
  • Drummers who lose their grip when their hands sweat
  • Technical playing that calls for fast turnarounds

Compare with other manufacturers

Signature models of comparable size from other manufacturers:

ManufacturerComparable modelWhat differs
Vic FirthSteve Gadd SignatureShorter, thicker shaft, barrel tip
PromarkSimon Phillips 707Long taper, greater length
ZildjianDennis Chambers ArtistConstant cylindrical grip, larger acorn tip
Los CabosJazz signatureRed maple, noticeably lighter

Frequently asked questions

What is the point of a shaft that swells and then narrows?
To give you a tactile reference. The palm rests gently against the widest point, which limits sliding backward without forcing a sticky grip.
Is it a 5A or a 5B size?
Neither, exactly. At 0.590 in, it sits between the two, closer to a 5B in wood and to a 5A in handling.
Is the unusual length a problem?
No. A sixteenth of an inch does not change the playing geometry; it simply brings the balance point a little closer to your hand.
Do I need grip tape with these sticks?
Rarely. The shape of the shaft already does part of that job. Tape is still useful if you play with very damp hands or for very long stretches.

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